Besides unleashing a few new riffs from their veritable bag of tricks, New Hopes, New Demonstrations has a much higher production value, and it gives the band room to stretch out. And stretch out they do, sometimes even not shouting! As incredible as the prospect of identifiable lyrics is, they seem to always place the worst lyrics in the quiet passages, meaning the ten comprehendible words are also the dumbest. As well, the grit that This is Where the Fight Begins brought to the party was also integral to its success- Lacey’s voice was like drinking spoiled milk, and every bass drum hit was a kick to the stomach. Did someone say milkshakes?
    Some of the influences they bring out on this sophomore effort meld effortlessly, and others turn sour right away. The twang of “Moved as Mountains, Dreamt of by the Sea” makes the anvil vocals practically tear the skin from your eyes, but the misplaced indie intro of “Nobody likes a Hero” wears as comfortably as a steel wool sweater. Overall, it’s hard to consider New Hopes, New Demonstrations a more fulfilling album. Obviously, no band should continue to rewrite their first album over and over, but the sound they have now isn’t quite at the level of completeness as it was two years prior. They are a band in transition, and hopefully they’ll come out even stronger on the other side of it.
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New Hopes, New Demonstrations
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